In The Wire 491/492, John Brien argues that the humble compact disc offers efficient delivery of pure audio that bypasses the ...
The 23 January edition of The Wire ’s weekly broadcast on Resonance FM and Resonance Extra featured music by Mattie Barbier, ...
In The Wire 491/492, James Gormley argues that redrawing the line between public and private space has coined a dubious new ...
The 16 January edition of The Wire ’s weekly broadcast on Resonance FM and Resonance Extra featured a guest mix by Lebanese ...
Born in Vietnam, multidisciplinary artist Tran Uy Duc seeks counterpoints with pop boundaries as their long-term influence. Also active in ...
In The Wire 491/492, Louise Gray recalls developing a new relationship to sound while bed-bound in hospital following an accident ...
Rasheedah Phillips and Camae Ayewa (aka Moor Mother) present a special Wire mix ahead of the publication of Dismantling The Master’s Clock, Phillips’s forthcoming book exploring time, temporality and ...
In The Wire 491/492, Drew Daniel recounts a dream of a strange new music style, whose subsequent online virality revealed the need to test the limits of genres The dream came in the night and changed ...
In The Wire 491/492, Peter Margasak reviews an album of inventive new settings for the compositions of Ethiopian musician Emahoy Tsege-Mariam Gebru ...