The premise itself is charming enough, but really it’s the design of Skeleton Crew’s world that is responsible for its real ...

The story of Star Wars can be summed up by one word: Tragedy. What ought to have been a story about hope is one of ...

Skeleton Crew was a ton of fun! I loved the child-like wonder and adventure of the whole thing. I have no idea if Lucasfilm will get to make a second Season 2, but creators Jon Watts and Christopher ...

According to her, it was the “shortest active job I’ve done,” but impactful nonetheless: after her single scene wrapped production, she recalled telling the Skeleton Crew team they “just ...

So Watts and Ford refashioned their idea into what became “Skeleton Crew,” a rousing adventure ... and then you give it to [“Star Wars” lead production designer] Doug Chiang, and they ...

Skeleton Crew follows a group of children who are ... and by the time we would get production going, we know what age they would be. "So, we would be writing toward that. You'll be growing up ...

Visual effects supervisor Chris “CMo” Morley and art director Mark Dubeau collaborated with production designer ... menace with accessibility. Skeleton Crew’s “mama crab’ “The original ...

In its final episode, Skeleton Crew sticks the landing with lots of action and some genuinely tense moments, but its answers are limited. The best thing about Skeleton Crew is that, in a time of ...

Skeleton Crew? Notably, we know that (as his title suggests) the Supervisor is in charge of overseeing At Attin’s Old Republic credit production operation. Indeed, he takes this responsibility ...