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The Restorationists Behind ‘Lawrence of Arabia,’ ‘Spartacus,’ and ‘Apocalypse Now’ Turn to a Forgotten Epic
Robert A. Harris and James Mockoski discuss restoring the 1926 adventure film 'Beau Geste' ahead of its world premiere at the ...
How ‘Sinners’ Cinematographer Pulled Off That Surreal Juke Joint Music Sequence and Made History By Shooting on 65mm Imax Film
It was January 2024, the day before she would start shooting “The Last Showgirl,” and Coogler sent an email seeking her ...
Filmmaker Magazine2d
NAB 2025: LED Screen Advancements, Tariff Concerns and Hybrid Lenses
Smith was a featured guest speaker at NAB earlier that same morning. Scrolling through each day’s list of scheduled panels ...
Autumn Dural Arkapaw Is the First Woman DP to Shoot in IMAX — with ‘Sinners,’ It’s 65mm on Steroids
The cinematographer tells IndieWire about her first time shooting in IMAX 65mm and the extremely wide Ultra Panavision 70 for ...
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How ‘Sinners’ Cinematographer Pulled Off That Surreal Juke Joint Music Sequence and Made History By Shooting on 65mm Imax Film
Amid the bloodthirsty and lustful vampires of “Sinners” sits a story layered in culture and history, with blues music anchoring the film’s soul ... was to shoot on 16mm.
Martin Cid Magazine2d
‘The Brutalist’: Brady Corbet’s Architectural Odyssey, Starring Adrien Brody
"The Brutalist," Brady Corbet's monumental cinematic work, distinguishes itself through its aesthetic, narrative, and ...
Smithsonian Magazine7d
Recording the Ju/’hoansi for Posterity
His father "handed John a 16-mm film camera and said ... From "A Kalahari Family" / Human Studies Film Archives, SI A still frame from John Marshall’s 1974 documentary “The Meat Fight ...